Q2: What else could possibly top the first half? Seriously?

Another half a year gone, and seriously, could it feel like I am crusing into my forties more excited about music than I was at 16? There has been some incredible stuff released this year (and of course, some stinkers). Some will not share the feelings I have...after all, it is all subjective. But I think over so many years of listening and being exposed to music non-stop, I have a pretty good grasp of what's good and what is shit. Thus beginneth my judgment regarding the top albums from April through June 2010. And what a list it is(!)...

1) KYLIE MINOGUE--Aphrodite

Alright, technically speaking this album doesn't release until July 5 (a Q3 effort then), but it is rampantly circling the internet as I speak, and is widely available for perusal. So, I will refer to it as the icing on the cake that was Q2 2010, as I will be holding one in my hot little hands within a day or two. Simply put, this is the best dance pop album released by anybody so far this year (sorry Goldfrapp--your album was great too, if a little short), and possibly the best since Pet Shop Boys unleashed Yes just over a year ago. Whoever had the stroke of genius to bring Stuart Price in to oversee the executive production on Aphrodite should be knighted immediately, as it pulls together all the Kylie elements that people admire into one shining package--soaring tunes, pumping beats, electro magic, and above it all, her perky personality. Not bad for somebody who had her somewhat lowly beginnings as a pimply tomboy on a second-rate soap opera nearly 25 years ago! I could do a track by track rundown of how glorious the songs on Aphrodite sound, but I will let the listener discover them for the moment (or read about them on the numerous web forums), and provide a more thorough examination at year's end when I have had more time to live with the album and extol its true virtues. That is not to say that I am making a hasty ruling here--after all, this is Kylie's best album since Light Years, the album that made me love her all over again. I just have a feeling I will be able to articulate my feelings more clearly with time. Way to go Kylie--you've done it again! Now, can you break America again with a more extensive tour this time?

2) LAURA MARLING--I Speak Because I Can

Talk about a record that could not exist in a more distant place opposite the previous entry. I had never give Laura Marling much thought until I heard "Devil's Spoke", and was immediately transfixed by her gloomy ruminations on love. It is a piece of the highest order of English folk music coming from a very talented and wise beyond her years 20-year old. The fact that I am generally not a big fan of this kind of music makes it even more alarming that I would respond to such a dark and haunting album of this genre. Marling's voice is so unique and personal, you feel as though she is speaking directly to you. The arrangements on this album feature surging string sections, bluegrass-y banjo, ghostly choirs, and is so maturely written, it makes Suzanne Vega (someone who I feel has written a great deal of wonderful music) seem elementary in comparison. If you are looking for a true and trasformative folk music experience, it's all right here. Can you imagine how she'll sound in ten years time?

3) JANELLE MONAE--The Archandroid

I didn't pay much attention to Janelle when she released a debut EP in mid-2008. That EP, released by Diddy's Badboy Records, served as the first of a three-part suite based upon the film Metropolis, and is thematically continued with the following two suites on the Archandroid. Sometimes an album comes along that is so sprawling stylistically, it leaves the listener wondering who the artist is and how to quantify their art. Surprisingly, the opposite is in effect here, as Monae's debut album displays a dazzling range of songs and styles that the listener is left in a headspin, knowing more about Monae than a one-dimensional record could convey. The first half of the album could be called the quirky, retro-soul half, featuring songs which flow together effortlessly, like the quickly rapped "Dance or Die", moving into the big-band jump of "Faster", to the Stevie Wonder-soul of "Locked Inside". They are so seamless, they really do blend into different parts of a suite, leaving the listener to wonder where one song ends and another begins. A particular highlight and a should-be chart-topper, "Tightrope" (and its quirky Big Boi featured video) should have created a whole new dance craze, while "Come Alive" plays like a freaky party song for skeletons on Halloween. The second half of the album is more grand and orchestral, sampling Claude Debussy on "Say You'll Go", while maintaining the freaky on the Of Montreal-assisted "Make the Bus". "Babopbye Ya" (much better than its title would suggest) is the epic nine-minute closer, sitting somewhere between a James Bond theme and jazz, and it really shows off Monae's fabulous vocal range to stunning effect. In effect, this is one of the most affecting debut albums by any artist in the past twenty years. Take note NOW.

4) SCISSOR SISTERS--Night Work

How ironic that the Scissor Sisters return to fabulousity comes at the same time Kylie unleashes Aphrodite, as both records were executive produced by the ever talented Stuart Price (check out his own band, Zoot Woman--their last album was great). While Night Work may not display the single-mindedness of the Kylie album, I'll say that it functions just as well in many ways, mainly by bringing them back to life after the somewhat lackluster Ta Dah(2006), and back to the dancefloor. "Fire With Fire" has its naysayers, but I recommend it wholeheartedly as an uplifting synthpop anthem, one that sits closely to Price's production work on the Killers' "Human", and shows that Jake Shears can sing an effective song without resorting to falsetto posturing (even if it does resemble Elton John). This album shows a progression from the full-on 70's vibe of the last record, acting more as a bridge between the 70's and 80's--a much more interesting time for music as well. Tracks like "Any Which Way" (which features Minogue on backing vocals) recall the best of disco Bee Gee's, while "Invisible Light" is the best song Frankie Goes to Hollywood never released (and thanks for the Ian McKellen guest vocal--Vincent Price is spinning in his grave). Maybe not as completely great as their first album, but a definite return to form, and a growth and maturation has occurred without losing the fun. Another great party record.

5) MARC ALMOND--Variete

I am surprised at how little discussion and recognition this album has been receiving across the interblogs, as I was sure some diehards were going to at least mention it. So let me do the honors. Marc has returned with what may be his best album since Tenement Symphony, and definitely his most personal work. That is saying something, as he is closing in on thirty years of recording and about twenty albums in that same amount of time. The general sound of Variete harkens back to his mid-80's period, using mostly Mother Fist (the upbeat songs) and Torment & Toreros (the darker, downbeat songs) as sonic touchstones. Marc has said this would be his final album of original songs (although he has now stated that he meant it would be his last album about these decadent types of characters), but hopefully he has more music in him, whatever the subject matter, as these are fantastic songs by an artist in full control of his writing and production. While the cabaret-isms may not be to everybody's taste, some of these songs are quite affecting. The upbeat drive of "Nijinsky Heart" and "Variete" are pure Marc, while "The Exhibitionist" and "Sandboy" portray the darker sides of his performance art. There are some songs that feel like the most important things he's ever written: the autobiographical "Trials of Eyeliner", haunting "Lavender", defiant "But Not Today" and declamatory "Swan Song" will go down as some of the finest songs he has ever written, and are, of course, all immaculately sung. I will have more to say about this by the end of the year, but if you ever liked Marc Almond at all, Variete is some of his strongest work ever, and is a love letter to his life and art.

6) KELIS--Flesh Tone

Another record that arrives in the US the first week of July (although it has been available elsewhere since mid-May), Flesh Tone is to Kelis as Ray of Light was to Madonna. Working with some of today's hottest producers, Miss K (former wife of rapper Nas), has come out of her divorce with a new baby and a new outlook. She wants to go out and have a great time, and Flesh Tone is the perfect album to do that with, albeit with moments of reflection and introspection. Namely, "Acappella" (the first single), a winning melody set to a throbbing trance beat, a song that should erase the memory of "Milkshake" from the minds of the masses for at least a couple minutes. Kelis' newfound sense of self awareness pervades this album and its themes, and now that America has passed the date of the longest war it has ever been involved in, "Fourth of July" can only inspire us to put our cares away and dance. "Home", "Brave" and "Song for the Baby" are equally empowering anthems that will fill dancefloors across the globe this summer. More, please, more.

7) TRACEY THORN--Love and It's Opposite

On the other side of the Kelis album, Tracey releases her third solo album, following Out of the Woods in 2007. While Love and It's Opposite is more downbeat than her previous effort, it features production from the same producer of that album (Ewan Pearson), and contains similarly wonderful songcraft, albeit in more intimate and stripped down arrangements. Let's face it, Thorn could sing me the phone book and I'd be OK with that, but let's just say that the quieter arrangements sometimes lead to more direct magic, as the opener "Oh, the Divorces" will attest to (is your relationship with Ben OK?). While there are no club bangers like "It's All True" or "Grand Canyon", songs like "Why Does the Wind" and "Hormones" do feature insistent beats that allow Thorn's voice to come through more personally. While I have loved both recent solo albums, I am left to wonder what Ben has been doing with all his time (certainly not just running his record label), and think about what wondrous things he may have written since Everything But the Girl went on hiatus over a decade ago. Temperamental was an excellent album, and it would be nice to see Ben & Tracey revisit some of that territory soon. Now that their kids are getting older, we shall see...

8) JONSI--Go

One of the most beautiful albums of the year comes from Jonsi, the lead singer of Sigur Ros (this is the year of solo records, with Julian Casablancas recent effort, Brandon Flowers upcoming record, and other recent efforts from Kele Okerke, Fyfe Dangerfield, and Andy Bell). Just listen to the surge of a song like "Go Do" or the haunting Thom Yorke-isms of "Tornado", and Jonsi's first mostly-English sung album is a real treat, and more direct than anything he's done with his band. The arrangements flutter in and out at breakneck speed, and his soul really takes flight when his music is allowed to sing through his extensively gorgeous vocal layering. Sigur Ros fans may respond negatively to the happiness here, but your soul has to be good and dark not to enjoy what Jonsi puts on display. So good, I even bought it on vinyl.

9) DIVINE COMEDY--Bang Goes the Knighthood

I have come to the conclusion that Neil Hannon cannot be stopped. And I don't want him to be. One of the wittiest writers of our generation, Hannon is an elf-prince of the highest order, penning gloriously silly songs here like "Can You Stand On One Leg" (an ode to his children, I presume). There is plenty great for adults here as well, such as the namechecking single, "At the Indie Disco" (Blur, Cure, Wannadies, etc.), and the seriously haunting "When a Man Cries", which sounds like it really comes from personal experience. "The Complete Banker" wryly points a finger at those who created the recent economic disaster, while "Have You Ever Been in Love" is one of the most lovely little ballads I've heard in a while (I'd love to hear Kylie cover this--could they ever do an album together?). My real favorite gem of the album is the opener, "Down in the Street Below", which goes through a couple tempo changes and even adds ambient street noise at the end. It's knowing stuff without being overly pretentious, as an air of self-deprecation always deflates Hannon's balloons. Brilliant once again. Don't make us wait so long next time!

10) SIA--We Are Born

I always liked Sia, but had a hard time loving her. That has changed with her new album, We Are Born. Her Zero 7 collaborations were fantastic, and while Colour the Small One was a very good album (especially "Breathe Me", which found fame on the finale of Six Feet Under), her last effort, Some People Have Real Problems, was a mostly downbeat affair that seemed directly marketed at Starbucks patrons (it was even released on their label). Somewhere in the past couple years, Sia rediscovered her mojo. Whether it was writing for Christina Aguilera or collaborating with the Bird & the Bee (member Greg Kurstin produced We Are Born--most famous for his work with Lily Allen, Kylie, Sophie Ellis-Bextor, Rilo Kiley, Dragonette, etc.), Sia does seem reborn as a more energetic version of herself. While she always penned beautiful and affecting ballads, most of those have been given to Christina for her latest album, leaving only "I'm In Here" as the sole token Sia-ballad. So much the better, as "Clap Your Hands" and "You've Changed", the first two singles from the album, feature great beats to tap your feet, and fun and quirky videos to make you laugh. It's a more celebratory Sia this time around, and she will always have those beautiful ballads to sing in concert. We Are Born comes in like a breath of fresh air.

Other albums of note:

LCD SOUNDSYSTEM--This is Happening

SLEIGH BELLS--Treats

THE NATIONAL--High Violet

PAUL WELLER--Wake Up the Nation

THE SCHOOL--Loveless Unbeliever

LUCKY SOUL--A Coming of Age

LUKE HAINES--21st Century Man

V.V. BROWN--Travelling Like the Light

FUTUREHEADS--The Chaos

FYFE DANGERFIELD--Fly Yellow Moon

YOU SAY PARTY! WE SAY DIE!--Xxxx

KELE--The Boxer

FOALS--Total Life Forever

LAURIE ANDERSON--Homeland

DEVO--Something for Everybody

BLITZEN TRAPPER--Destroyer of the Void

THE LIKE--Release Me

CARIBOU--Swim

CLUB 8--The People's Record

CHEMICAL BROTHERS--Further

YOUNG VEINS--Take a Vacation

KENT--En Plats i Solen

ROBYN--Body Talk Pt. 1*

*This would have likely performed better had it been the full album. Judgment is being withheld until part 2 and/or part 3 are released.

Albums I missed from Q1 and earlier that I discovered late:

LIGHTSPEED CHAMPION--Life is Sweet! Nice to Meet You...

This took me by surprise. He's grown quite a bit. Nice if you like Morrissey, Elvis Costello, or Luke Haines.

LINDSTROM & CHRISTABELLE--Real Life is No Cool

Excellent Swedish dance/electronic/R&B stuff.

JOANNA NEWSOM--Have One On Me

This would have possibly made an earlier list, but it's a bit TOO big--triple discs are hard to take. Still, she is very talented, and has gotten much better to my ears.

MGMT--Congratulations

Weird. Different. Good.

OK albums:

STARS--Five Ghosts

KAREN ELSON--Karen Elson

GRUM--Heartbeats

DONKEYBOY--Caught in a Life

AQUALUNG--Magnetic North

NEON TREES--Habits

JAMES--The Night Before EP

ANDY BELL--Non-Stop

WE HAVE BAND--WHB

HOT HOT HEAT--Future Breeds

HOWARD JONES--Ordinary Heroes

Disappointing albums (I think these need some explanation):

DELAYS--Star Tiger Star Ariel

OK guys, when are you gonna knock my socks off again? Valentine still amazes.

RUFUS WAINWRIGHT--All Days Are Nights: Songs for Lulu

Rufus' voice needs more than just piano backing--it brings out all his annoying vocal tics

BIRD & THE BEE--Interpreting the Masters: a Tribute to Hall & Oates

If you're gonna reinterpret the masters, bring SOMETHING new to the table

CODEINE VELVET CLUB--Codeine Velvet Club

Fratelli thought he could jump on this bandwagon, which Lucky Soul and the School do better

SUGABABES--Sweet 7

Do I have to?

DAVID BYRNE/FATBOY SLIM--Here Lies Love

This was far too long and boring--the rhythms all blend together--where is the Fatboy touch?

KEANE--Night Train EP

Worst thing they've done by a mile. So talented, and so miscalculating.

KATE NASH--My Best Friend Is You

Mansion Song. Nuff said.

MORCHEEBA--Blood Like Lemonade

Tepid return with Skye back in the fold. She should leave again.

CHRISTINA AGUILERA--Bionic

It's funny how I think 70% of the songs from this album are acceptable to great, but the album itself is a trainwreck. Here's a definite case for resequencing of an album for an iPod. (i.e. no Not Myself Tonight or Woohoo).

Needless to say, I am very excited about what the second half of 2010 has to offer with all this great stuff already behind us. Looking forward to: M.I.A., Arcade Fire, OMD(!), Interpol(back on Matador!), Royksopp, Hurts, Hoosiers, Daft Punk (Tron soundtrack), Sophie Ellis-Bextor, Brandon Flowers, Pipettes (an actual release), and supposedly 2011: Lady Gaga, Saint Etienne, and Dubstar!

Could it really be the last???

I am not usually one for posting very often, but let it be said that Marc Almond has just set the release date for what is supposedly being called his final album of original songs. Named VARIETE, it is set for release in the second week of June (7th supposedly), and is a double album. This is the first published tracklist I have seen from a fairly reputable source (and it has yet to be posted on Amazon, although you can preorder it in deluxe or regular formats, whatever that may mean):

Intro
Bread and Circus
Nijinsky Heart
The Exhibitionist
The Trials of Eyeliner
Lavender
Soho So Long
Unloveable
Sandboy
It's All Going On
Variety
Cabaret Clown
My Madness and I
But Not Today
Swan Song
Sin Song
My Evil Twin
A Lonely One
Cat Dancer
Criminal Lover
I Am No One
Smoke
Kiss the Ghost (Goodbye)

Hopefully this will not really be his last album of original material as suggested. Marc brings so many colors to the world in his writing that others may copy but just don't surpass. He hasn't toured the US in 10 years, yet his fanbase remains loyal as ever. I, for one, cannot wait!

Q1/10: Where does the time go?

Hard to believe another winter has come and gone, and the first quarter of 2010 is coming to a close. Sadly, there was seemingly a lot less music released this winter compared with 2009, although a string of really good albums were unleashed upon the (un)willing masses. I am providing a quick rundown of how things stand for me and my collection at the end of March...



1) PETER GABRIEL--Scratch My Back




The prospect of a covers album is always a bit dubious. There are many ways an album of this nature can go, and none really very appealing. Take for instance, the artist who wants to show their love for certain songs, but done their way...Duran Duran's Thank You was a disaster. Covering a Bowie or Roxy Music song when there is a tradition of New Romanticisms is one thing, but digging up "911 is a Joke" by Public Enemy was preposterous. Erasure were fine with an ABBA tune, but their full length Other People's Songs is likely their worst album. Then there are those who wish to stay true to the originals. Sharleen Spiteri's recent movie album is generally where this is headed, containing mostly dire readings of songs which sound as if she was locked in some karaoke hell. Another recent disappointment is Bird & the Bee's rendering of Hall & Oates' greatest hits, which taken in small doses would be fine, but over the course of an album, I find myself examining the fact that they are faithful to a fault, with almost every note and squiggle of phrase duplicated to the point that it renders the exercise pointless--just buy the originals already. And the less said about Sinead O'Connor's big band covers album, the better. In effect, finding a covers album that ticks all the boxes is nearly impossible.


Imagine my worry when I saw the news that our beloved PG was releasing a covers album, his first recorded output in eight long years. While I probably would have wanted an original album instead, Scratch My Back functions well as a covers album AND as an original one. Somehow he manages to walk that fine line between tribute and personal creativity that makes this one special. Maybe it is the sensitive orchestrations and sparse arrangements that highlight Peter's sensitive vocals, or the fact that this juxtaposition of sound emphasizes the lyrics in ways that I never would have dreamed before. For instance, the Talking Heads' song, "Listening Wind", which was written over 30 years ago, depicts the story of an Arabian child who takes up the cause of terrorism by strapping a bomb to themselves and heading for a crowded area. The original was a woozy drone with a hypnotic beat, pushing David Byrne's vocals deep into the mix, while Peter's update here allows the listener to really inhabit the story, with the instruments there in support of the voice, as opposed to giving both equal billing. This exposure of the lyrics only serves to highlight the fact that this type of horrifying act of murder/suicide, which was being perpetrated by their own people decades ago, still exists to this day.

So, Peter earns my honor of the best record of the first three months of 2010. It can be depressing. I cried the first time I heard it, and the second. While Scratch My Back isn't exactly upbeat, there are some lovely moments of relief in "The Book of Love" and "The Power of the Heart", songs which could make the most hardened criminal sob. This project may also have served as a way for Peter to unblock some creative jam he had while readying his next original project, as he seems to be his worst critic and an ultimate perfectionist (see Kate Bush, Sade, Green Gartside, Mark Hollis, David Sylvian, etc.). Here's a tip for Peter--the world doesn't want perfectionism, because the world isn't perfect either. All it wants is his voice singing music from the soul, as he has proven here. Now that Scratch My Back is out there for the world to hear, let's hope he gets the original album done soon. Fingers crossed.


2) MARINA & THE DIAMONDS--The Family Jewels



Living in America, I find it difficult to understand all the hubbub regarding the Marina backlash. It seems like several people in the UK find her brash, pushy, shouty, snarky, and a turnoff. This saddens me greatly, as I think The Family Jewels is one of the best things to come out of Wales in a good long while (sorry Duffy). This album is not only chock full of great songs ("I Am Not a Robot", "Oh No!", "Obsessions", etc.), but there is a real strong character at the center of them. I am unsure anybody else could pen songs as unique yet inviting as "Hollywood" and "Mowgli's Road", as she brings such a personal slant to what could be faceless in lesser hands. "Shampain" in particular is quirky, slick, and has one of the greatest choruses ABBA never recorded. Even late into the album, songs like "Rootless" and "Numb" seem quite special. Time to wake up to a special talent then...


3) GOLDFRAPP--Head First




I know it almost seems like a copout choosing Goldfrapp at this point, but they really do still make some of the most wonderfully conceived pop music around. While I may not have completely bought into the perky 80's-express nature of these proceedings, there is no denying the seductive qualities of "Rocket", "Alive", and "I Wanna Life", all shiny and Top Gun-ned. While only "Shiny and Warm" is too reminiscent of what has come before, and "Voicething" something better left to a B-side, the highs here are quite high. Now Goldfrapp need to be careful they do not step any closer into pastiche, or the joke will be on them.



4) EMILIE SIMON--The Big Machine




Yes, this was on my 2009 list, but it came out late in the year only in France, and finally got a UK release in February when I finally got my CD. What an excellent album this is. Anybody who loves Kate Bush really needs to rush out and listen to the whole thing right now, as I don't think I have ever heard anyone sing closer to KB in their vocal delivery (including early Tori Amos). Simon comes up with many quirky winners here, and comes off as a darker, edgier version of Marina. This is her first all-English effort, and she recorded much of it in New York. Funny enough, it all still sounds very Emilie, and this is her best album yet.



5) DELPHIC--Acolyte



Poor Delphic. These days, expectations run so high for your first album, that there was really no way they were going to please everybody. What they did release, however, is a very stylish post-alternative album full of sparkling electronica flourishes, and some catchy melodies to boot. "Doubt", "Halcyon", and "Counterpoint" would be fine additions to anyone's canon (even New Order), and some of the instrumental parts allow them to stretch out a bit musically. As I said about Marina, if this is their debut, I cannot wait to hear what comes next.


6) HOT CHIP--One Life Stand
Another band that has suffered at the hand of many-a-critic, HC's latest effort is, in my estimation, their best yet. They have always seemed like a group of nerds that really wanted to create some deep grooves, and they do that here on nearly every song, even when the grooves are slow. While "Thieves in the Night" gets things off to a sprightly beat, and "Hand Me Down Your Love" keeps things up house-style, songs like "I Feel Better" are slow burners, with "Slush" being especially reflective. "Brothers" is a special ode to the love of a group of guys (how sensitive!), and the title track along with "We Have Love" and "Take It In" are some of the best indie-dance songs you'll hear this year. My personal fave though? "Alley Cats". It's like one of those unassuming little ballads you could hear Tracey Thorn singing. Just sayin'.


7) VAMPIRE WEEKEND--Contra
I wasn't sure they could pull off a round two, but darn if this isn't one of the most fun and put together of records this year. While "Cousins" is a bit of a crazy little calling card of a single, this album will become more known for songs like "Horchata" and "Giving Up the Gun", and "Holiday" has that must-be-a-single poppiness written all over it. "Diplomat's Son" is supposedly about Joe Strummer as well. What more could you ask for?


8) SADE--Soldier of Love
We got two major summer albums in the middle of snowmageddon this year in the form of Vampire Weekend and Sade. Talk about somebody who takes a long time to make a record. A mere ten years since her last, and with nine years separating the previous two, Sade is the mistress of slow work rates. It's the kinda thing that will really piss off the major label in an economic downturn such as the current state. Fortunately, Sade is always quality, and SOL is no exception. While the martial title track got our attention, songs like "Morning Bird", "Bring Me Home", and "The Safest Place" are what make Sade truly special. Even "Babyfather", a song which could be cringeworthy in 99% of the remainder of female R&B singers hands, has an endearing quality that very few can muster. Please don't wait ten years next time--YOU ARE GETTING OLDER.


9) ELLIE GOULDING--Lights
I tried to resist her charms many times, but finally fell for them. While I think her girlishness is an acquired taste, and I also don't think she quite has the unique quirkiness of Marina, Ellie is a special, young singer-songwriter who has made one gem of an album. There is not one duff track to be found here (the ladies are really workin' it recently). While "This Love (Will Be Your Downfall)" is probably my favorite here, there are many great songs. Why they could not put the title track on the CD though is anybody's guess. Marina did the same thing. Last year it was Little Boots. Can we please have the TITLE TRACKS ON THE CDs from now on...please???


10) ALPHABEAT--The Beat Is...
Yes, this album is not selling well. Yes, they changed the name of it at the last minute, after months of delays. Yes, the album leaked nearly five months prior to its release, killing its sales potential. Dammit if I don't love this record. Alphabeat do not ape the 90's dance scene--here, they inhabit it. This record is so damn catchy, it's like a bad cold. I don't even know where to begin--"DJ", "The Right Thing", "Always Up With You", "The Spell", "Heat Wave", "Hole in My Heart"--ALL great. And that's only the GREAT songs! There are at least five more winners--my fave non-single? "Chess".

Other great albums of Q1:

GROOVE ARMADA-Black Light
GABRIELLA CILMI--Ten
CHARLOTTE GAINSBOURG--IRM
DAN BLACK--((un))
GORILLAZ--Plastic Beach
BROKEN BELLS--Broken Bells
SHAKESPEAR'S SISTER--Songs from the Red Room
TWO DOOR CINEMA--Tourist History
SAMBASSADEUR--European
YEASAYER--Odd Blood
MASSIVE ATTACK--Heligoland
RADIO DEPT.--Clinging to a Scheme
THE COURTEENERS--Falcon
TURIN BRAKES--Outbursts
ATHLETE--Black Swan


Still digging: Dragonette, Annie, Gaga, LaRoux, Little Boots, Pet Shop Boys, Cheryl Cole, Cribs, Florence, Mary Onettes, Sally Shapiro, XX.


Can't wait for the summer! The ladies are coming! MIA! Robyn! Kylie! Sophie Ellis-Bextor! Kelis! Sia! Pipettes!

Also next quarter: Keane, Andy Bell, Lucky Soul, Tracey Thorn, Hoosiers, Marc Almond, Jonsi, MGMT (actually just heard it--hmmm), the National.

Albums I would buy, but will they ever make one?: Hurts, Sound of Arrows, Penguin Prison, Golden Filter, OMD(this year?), Human League (also this year?), Casey Spooner, Scissor Sisters.

SNOWMAGEDDON....

I know this blog is usually used for music purposes, but damn if this snowmageddon 2010 hasn't put a damper on everyday living. Luckily I was able to get physical copies of Sade, Hot Chip, and Massive Attack before the hammer came down. We have gotten over four feet in the past week, making it the biggest snowfall in West Chester, PA recorded history. Our store was closed for the second time in a week, and if the owner hadn't died last month, this surely would have killed him. Here you can see my deck table after two apocalyptic snowstorms within four days of each other, and the view outside my window. Brrrr....

FAVORITE ALBUMS OF ALL TIME (2010 edition)

While I have been trying to come to conclusions about my favorite records of all time, I thought it might be enlightening just to list the top 300--yes, 300! As someone who has worked in and managed record stores for over 25 years, I've heard a shitload of music, and these are the ones that resonated with me the most. I am also a child of the 80's, so take that into account.

I will soon be posting a list of the top 50 or so in order--and these lists always change as time marches on--but as of early 2010, these are the contenders. Prepare to be overwhelmed...

A-HA--hunting high & low
ABBA--super trouper
ABBA--visitors
ABBA--voulez vous
ABC--how to be a zillionaire
ABC--lexicon of love
AIMEE MANN--bachelor no. 2/magnolia soundtrack
AIMEE MANN-whatever
AIR--moon safari
ALCAZAR--disco defenders
ALPHAVILLE--forever young
ANNIE--anniemal
ANNIE--don't stop
ANNIE LENNOX--diva
ARCADIA--so red the rose
ARCTIC MONKEYS--whatever people say i am that's what i'm not
ARMY OF LOVERS--gods of earth & heaven
ARMY OF LOVERS--maximum luxury overdose
BANANARAMA--deep sea skiving
BANANARAMA--wow!
BARRY ADAMSON--moss side story
BASEMENT JAXX--kish kash
BASEMENT JAXX--rooty
BEATLES--abbey road
BEATLES--magical mystery tour
BEATLES--revolver
BEATLES--sgt. pepper's lonely heart's club band
BEATLES--white album
BILLIE RAY MARTIN--deadline for my memories
BILLY MACKENZIE--transmission
BJORK--homogenic
BJORK--post
BJORK--vespertine
BLACK BOX RECORDER--facts of life
BLANCMANGE--mange tout
BLONDIE--parallel lines
BLUE NILE--hats
BLUR--parklife
BOOK OF LOVE--book of love
BOY GEORGE--martyr mantras
BRONSKI BEAT--age of consent
BWO--prototype
CHEMICAL BROTHERS--dig your own hole
CLAN OF XYMOX--medusa
COCTEAU TWINS--blue bell knoll
COCTEAU TWINS--heaven or las vegas
COCTEAU TWINS--treasure
COCTEAU TWINS--victorialand
COLDPLAY--rush of blood to the head
COMMUNARDS--communards
CREATURES--boomerang
CULTURE CLUB--colour by numbers
CURE--disintegration
CURE--head on the door
CURE--kiss me kiss me kiss me
CURVE--gift
CUT COPY--in ghost colours
CYNDI LAUPER--bring ya to the brink
CYNDI LAUPER--she's so unusual
DAFT PUNK--discovery
DARREN HAYES--tension & the spark
DARREN HAYES--this delicate thing we've made
DAVID BOWIE--aladdin sane
DAVID BOWIE--heroes
DAVID BOWIE--hunky dory
DAVID BOWIE--low
DAVID BOWIE--scary monsters
DAVID BOWIE--station to station
DAVID BOWIE--ziggy stardust & the spiders from mars
DAVID SYLVIAN--brilliant trees
DAVID SYLVIAN--gone to earth
DAVID SYLVIAN--secrets of the beehive
DEAD CAN DANCE--into the labyrinth
DEAD CAN DANCE--within the realm of a dying sun
DEAD OR ALIVE--youthquake
DEPECHE MODE--black celebration
DEPECHE MODE--music for the masses
DEPECHE MODE--some great reward
DEPECHE MODE--violator
DIVINE COMEDY--absent friends
DIVINE COMEDY--casanova
DIVINE COMEDY--victory for the comic muse
DOVES--last broadcast
DURAN DURAN--duran duran
DURAN DURAN--rio
ECHO & THE BUNNYMEN--ocean rain
ELBOW--cast of thousands
ELECTRONIC--electronic
ELECTRONIC--raise the pressure
ELVIS COSTELLO--king of america
ERASURE--chorus
ERASURE--erasure
ERASURE--i say i say i say
ERASURE--innocents
ERASURE--nightbird
ERASURE--wild
EURYTHMICS--savage
EURYTHMICS--touch
EURYTHMICS--sweet dreams
EVERYTHING BUT THE GIRL--amplified heart
EVERYTHING BUT THE GIRL--idlewild
EVERYTHING BUT THE GIRL--temperamental
EVERYTHING BUT THE GIRL--walking wounded
FLORENCE & THE MACHINE--lungs
FRANKIE GOES TO HOLLYWOOD--welcome to the pleasuredome
FRANZ FERDINAND--franz ferdinand
FROU FROU--details
GARBAGE--version 2.0
GEORGE MICHAEL--faith
GEORGE MICHAEL--listen without prejudice
GIRLS ALOUD--out of control
GIRLS ALOUD--tangled up
GOLDFRAPP--black cherry
GOLDFRAPP--felt mountain
GOLDFRAPP--seventh tree
GOLDFRAPP--supernature
GORILLAZ--demon days
GRACE JONES--hurricane
GRACE JONES--nightclubbing
GUILLEMOTS--through the window pane
HEAVEN 17--luxury gap
HEAVEN 17--penthouse & pavement
HOWARD JONES--dream into action
HOWARD JONES--human's lib
HUMAN LEAGUE--dare
HUMAN LEAGUE--secrets
IMOGEN HEAP--speak for yourself
INXS--swing
JANE SIBERRY--walking
JAPAN--gentlemen take polaroids
JAPAN--tin drum
JENS LEKMAN--night falls over kortedala
JULEE CRUISE--floating into the night
JUSTICE--cross
k.d. lang--ingenue
KAJAGOOGOO--white feathers
KATE BUSH--aerial
KATE BUSH--dreaming
KATE BUSH--hounds of love
KEANE--hopes & fears
KILLERS--hot fuss
KIRSTY MACCOLL--tropical brainstorm
KRAFTWERK--computer world
KRAFTWERK--man machine
KRAFTWERK--trans-europe express
KYLIE MINOGUE--fever
KYLIE MINOGUE--impossible princess
KYLIE MINOGUE--light years
KYLIE MINOGUE--x
LA ROUX--la roux
LADY GAGA--fame monster
LADYHAWKE--ladyhawke
LIGHTNING SEEDS--dizzy heights
LIGHTNING SEEDS--jollification
LILAC TIME--lilac time
LILY ALLEN--alright, still
LILY ALLEN--it's not me, it's you
LIZA MINNELLI--results
LOVE & ROCKETS--earth sun moon
M.I.A.--arular
M.I.A.--kala
MADONNA--confessions on a dance floor
MADONNA--like a prayer
MADONNA--music
MADONNA--ray of light
MALCOLM MCLAREN--duck rock
MARC ALMOND--enchanted
MARC ALMOND--fantastic star
MARC ALMOND--mother fist and her five daughters
MARC ALMOND--open all night
MARC ALMOND--stars we are
MARC ALMOND--stories of johnny
MARC ALMOND--stranger things
MARC ALMOND--tenement symphony
MARC ALMOND--torment & toreros
MARC ALMOND--vermin in ermine
MASSIVE ATTACK--mezzanine
MASSIVE ATTACK--protection
MINISTRY--twitch
MOLOKO--statues
MONACO--monaco
MORRISSEY--vauxhall & i
MORRISSEY--viva hate
MORRISSEY--you are the quarry
MORRISSEY--your arsenal
NENEH CHERRY--raw like sushi
NEW ORDER--low-life
NEW ORDER--technique
NICK DRAKE--five leaves left
NINE INCH NAILS--downward spiral
NINE INCH NAILS--pretty hate machine
OASIS--definitely, maybe
OMD--architecture & morality
OMD--organisation
ONE DOVE--morning dove white
PET SHOP BOYS--actually
PET SHOP BOYS--behaviour
PET SHOP BOYS--bilingual
PET SHOP BOYS--fundamental
PET SHOP BOYS--nightlife
PET SHOP BOYS--please
PET SHOP BOYS--very
PET SHOP BOYS--yes
PETER GABRIEL--security
PETER GABRIEL--so
PORTISHEAD--dummy
PORTISHEAD--p
PORTISHEAD--third
PREFAB SPROUT--steve mcqueen
PRIMAL SCREAM--screamadelica
PRINCE--1999
PRINCE--around the world in a day
PRINCE--parade
PRINCE--purple rain
PRINCE--sign o the times
PROPAGANDA--secret wish
PULP--different class
PULP--we love life
R.E.M.--automatic for the people
RADIOHEAD--bends
RADIOHEAD--kid a/amnesiac
RADIOHEAD--ok computer
RIALTO--rialto
ROBBIE WILLIAMS--i've been expecting you
ROBYN--robyn
ROISIN MURPHY--overpowered
ROISIN MURPHY--ruby blue
ROXY MUSIC--avalon
ROXY MUSIC--country life
ROXY MUSIC--stranded
ROYKSOPP--junior
RUFUS WAINWRIGHT--want 1 & 2
SADE--diamond life
SADE--promise
SARAH MCLACHLAN--touch
SAINT ETIENNE--foxbase alpha
SAINT ETIENNE--so tough
SAINT ETIENNE--tiger bay
SAINT ETIENNE--tales from turnpike house
SCISSOR SISTERS--scissor sisters
SCOTT WALKER--scott 2
SCOTT WALKER--scott 3
SCRITTI POLITTI--cupid & psyche 85
SHAKESPEAR'S SISTER--sacred heart
SHRIEKBACK--big night music
SHRIEKBACK--oil & gold
SIGUR ROS--med sud i eyrum vid spilum endalaust
SINEAD O'CONNOR--lion & the cobra
SIOBAHN DONAGHY--ghosts
SIOUXSIE--mantaray
SIOUXSIE & THE BANSHEES--kiss in the dreamhouse
SIOUXSIE & THE BANSHEES--peepshow
SISTERS OF MERCY--floodland
SMITHS--louder than bombs
SMITHS--queen is dead
SMITHS--strangeways, here we come
SOFT CELL--art of falling apart
SOFT CELL--cruelty without beauty
SOFT CELL--non-stop erotic cabaret
SOFT CELL--this last night in sodom
SOHO--goddess
SPARKS--hello young lovers
STEVIE WONDER--songs in the key of life
STONE ROSES--stone roses
STRAWBERRY SWITCHBLADE--strawberry switchblade
SUEDE--coming up
SUEDE--dog man star
SUEDE--suede
SUZANNE VEGA--solitude standing
SWING OUT SISTER--kaleidoscope world
TALK TALK--colour of spring
TALK TALK--spirit of eden
THE THE--dusk
THE THE--infected
THE THE--mind bomb
THIS MORTAL COIL--filigree & shadow
THOM YORKE--eraser
THOMAS DOLBY--flat earth
THOMAS DOLBY--golden age of wireless
THOMPSON TWINS--into the gap
THOMPSON TWINS--(quick step &) side kicks
TIL TUESDAY--everything's different now
TORI AMOS--boys for pele
TORI AMOS--from the choirgirl hotel
TORI AMOS--little earthquakes
TORI AMOS--to venus & back
TORI AMOS--under the pink
TRACEY THORN--out of the woods
TRICKY--maxinquaye
U2--achtung baby
U2--pop
U2--zooropa
VENUS HUM--big beautiful sky
WHAM!--fantastic
WOLFGANG PRESS--bird wood cage
WOLFGANG PRESS--funky little demons
YAZ(OO)--upstairs at eric's
YAZ(OO)--you & me both
YELLO--stella
YELLO--you gotta say yes to another excess

Told ya it was long! Up next...the sorting...